MUSIC
1. Pulsión (2009) by Esplendor Geometrico
試聴/Sample
文句無し。スパニッシュテクノイズながらも上品なイタリア寄りの複雑系マリネッティ未来派野郎共がテン年代突入前に魅せた渾身のタイトルがGeometrikから（僕がオーガナイズしたイベント名はここからよ）。私shotahiramaもJANDEATH名義のソースモデルにしています、EGことEsplendor Geometricoの新作が２００９年My Favorite Thingsの１位です。なんだかムスリムガーゼに日に日に近づいてきたアラビックトライバルなリズムコンポジション、少し遅めがより気持ち悪い、所謂テクノミュージックにダダ万歳と叫んだ反体制すぎる程勇ましく落ち着きないリズムプログラム。ミニマル？しらねぇな。しかし構成主義の道は外れない、男道、カンディンスキーありがとう。TG（おもちゃ売るのに必死なくせに）にもNE（ノイバウテン？しらねぇな。あんただよ、ノクターナル！）にも愛想つかれたこの２０年間今日この頃、家畜解体工場の地下で腐ったオイルと豚の精液にひたひたに漬け込まれた金属音響は遂に出荷先が見つかったか、卸無視の直輸入品、完璧な仕上がり、見事なノイズ。牛の情緒不安定な鳴き声にカラスのクチバシを引きちぎる音が混ざった雑音、そんな音でどや顔にウィンクする２人のスペイン人。うざい。自慢げに操るlaptopは申し訳ないが誰でも買える簡単なシーケンスソフト、操ってる本人も本人だが画面内のモジュールさんたちもマスターを完全無視、スレイブとなった彼らも自由に躁鬱状態。これで踊れちゃPAN SONICに申し訳ない。が、しかし、だから、やばいかっこいい。悪趣味万歳。EG強し。んぁ、彼らのこれまでの作品がずらっと紙ジャケとなって最近出たんだけど、オリジナルで皆様探してください。カセットだろうとも手に入れるのです。キャプテントリップには申し訳ないけど、紙ジャケ反対。EGをみんなで守りましょう。
Pulsión is the new album of Esplendor Geometrico, the influential and acclaimed Spanish duo of survivors of the second Industrial wave on the first eighties. It includes nine tracks recorded between november 2008 and May 2009. Some have been already played in their last performances in Leipzig, Madrid and Barcelona with great success. Pulsión is in fact the album that follows Compuesto de Hierro (2003) as 8 Traks and Live (2007) can be considered as a transition, being a record made to go with the DVD, and contained some tracks that were in fact versions of older ones. Esplendor Geométrico style continues having a unique and unmistakable mark that distinguishes them from later bands they have had influence onto. At first sight, Pulsión is pure Industrial hypnosis based on the electronic manipulation of sounds together with irresistible rhythms, repetitive, machine-like, industrial, hypnotic, sometimes tribal, sometimes danceable, that mix up with voices and chants. Some of them are taken fom traditional arab and oriental musics (Mongolia, China,Tibet…) to be later electronically manipulated, others are simply speech fragments, as the one of a leader of a radical political party in Japan, Che Guevara, or an anti-occidental harangue from an islamist leader. But the idea of EG is not to transmit any political or ideological message, the spurces have been chosen for their strength and sonority. The first edition in CD is in digipack + booklet. There will be also a limited vinyl edition (500 copies) on mid September containing four tracks of the CD and two exclusive tracks for that format. Recorded in Beijing and Roma (2008-2009) by Arturo Lanz and Saverio Evangelista. All tracks composed by Arturo Lanz.
2. Miscellany Deluxe (Souvenirs Perdus D'antan) (2009) by Andrew Liles
試聴/Sample
テープミュージックに、ノイズコンクレート、ビザール音響、ヨーロッパインダストリアルなどオーナーの保管しているアーカイブでどこまでやっていけるのか、そろそろネタ切れVODことデマンド、から待望のAndrew Liles。しかも３枚組LPのBoxセットでなぜか幼児性愛者丸出しなピンク色のTシャツ（羊が４匹にショートケーキとその周りを医療器具が囲むメルヘンなプリント。意味わかんない）が付属する限定３００もの。余談ですが、デマンドが言う”限定”はシカトしましょう。デマンド歴が長い私が言うので。で、話をLilesに戻すと、全体的な雰囲気はアンニュイ？キッチュ？シュール？ダダ？例えて言うなら、下校途中の小学生を拉致して閉じ込めたカビだらけの下水溝で、トイストーリーを黒魔術調に仕立てたベルメール風作品を爆音で聴かせる／観せる。ぐちゃぐちゃぐちょぐちょ飛んでくセンスゼロな具体音にとことん精神を崩壊させられる、狂った男の子は泣き止まない。性的いたずらをしてくる主人公はぶくぶくに太った白人の老人。無我夢中にショートケーキを素手で喰いまくる、びちょびちょびちゃびちゃ、その音をピクサーに許可無しでドリーミーにリミックスしたブラックディズニー風音響。まじで頭いかれてる今作、Liles作品の総決算。気づけばほぼNWWのメンバー？にまで成り上がった彼のその実力と、人を怖がらせる程の悪趣味、ビザールセンス、たっぷり味わえるハンスベルメールを敬愛するそこのあなた、お勧めです。くれぐれも真剣に聴かないでください。
Much of the music included in this set is exclusive to this vinyl version of ‘Miscellany’. Andrew Liles has compiled a comprehensive anthology including as much varied, interesting and unreleased material as possible. He spent many an afternoon sifting through piles of cassettes seeking the oldest and arguably most definitive pieces of music from literally hundreds of hours of tape.
The earliest recordings on these discs date back to 1984. ‘Find a New Husband’ was made on Liles' fathers very cheap Amstrad tape-to-tape system. The tape machine ceased to work properly shortly thereafter. This track was the result or many hours of rewinding and re-playing and re-recording, and thus began Liles fascination, obsession and addiction with tape-manipulation, sound FX and recording techniques.
Listening back to some of these works reminds us of the archaic and laborious fashion in which music used to be created and assembled. In hindsight the merits of working with tape compared to digital technologies seem to be the random nature of what would happen. Tape bleed, mishaps, the low-fi quality and errors seemed to give unique and often unpredictable results. Many of Andrew Liles' early experimentations and accidental consequences are included in this collection.
Also included are selections from his two self-released cassettes under the name Lividity. The Lividity tapes were given away to friends and sent as demos to assorted labels. Some 20 years later it is very doubtful that any of them exist other the two remaining copies Andrew Liles has kept tucked away in some forgotten corner.
3. Space Music (2009) by Nurse With Wound
試聴/Sample
上記Andrew Lilesが敬愛する、歴史上恐らく最後の正真正銘ダダイスト、ラストエンペラーSteven StapletonことNurse with woundの０９年作、新作です。遂に昆虫大魔王、宇宙への巻。そもそもはMelbourne International Arts FestivalというPoetry&Musicを軸にしたイベントにて暗闇科学と題されたキューレーションの下、NWWが提供した５４分ものトラックをCD化したもの。ちなみにその暗闇科学、SCIENCE IN THE DARK、他にはオセアニア音響の２トップAi YamamotoとLawrence English等が参加。で、この宇宙戯曲、恐ろしい程サイレントな１時間。無重力地帯に解き放たれた看護婦は手に鏡、月光をあてて反射させて狙うはNASAの探知機、墜落させようとしてる、スリリングな緊張感。犯人は黒魔術御一行、Stapletonだけではなく、そのAndrew Lilesとイギリス持続音響界の匠にしてICRの若きオペレーター、Colin Potter、その３人によるもので、並外れた集中力と超現実主義にfuck u と叫ぶダダっぷりで美しすぎるビザールドローンを作り出す、久しぶりにミニマリズム香る１枚。コンセプトあっての今作だし、とか思いきや突然戦艦が軋むNWWお得意のコラージュ。宇宙空間彷徨う戦艦ポチョムキン。Sun Raとそのアーケストラがダダに犯されたらこんな音楽になってしまった、やっぱりNWWは今年も強かった、を証明する１枚。
Tears for spheres. Be warned: the sounds you are hearing are NOT marmots eating your tweeters, though you are best advised to apply volume lightly at first. Stapleton’s astral weeks have been spent distilling sounds into sipping moonshine. LITERAL moonshine. After a viscerally present launch cycle, the Voyager Nurse Module is designed to be piloted by the out-of-body listener. With Lilith-like subtlety, the concrete powered craft makes its way ever closer to the edge of the galaxy. Which one? Who knows? Whichever it is, Vaclav Helhybel (Outer Space: Music) and Frank Perry (Deep Peace) are there, waiting to celebrate the space escapade with chilled cocktails and green friends.
4. Back To Your Star (2009) by Bill LaBounty
試聴/Sample
今年の第４位は、すいません、突然のAORです。１、２、３位のダダイスティックノイズから突然のポップス。５０代、６０代のおじさま達にはたまらなく喜ばしいニュースだったんじゃないでしょうか、AORの神様（個人的に）Bill LaBountyによる１８年ぶりの新作。仕事柄、今年一番聴いてしまった１枚。またトラック作りに追われた耳を（ダイソンの掃除機とzevの違いも分からないくらいになった人は特に）休める為には持ってこいの１枚。７０近いBillの声に絡むブルーアイドなソウルは満天の星空に向かって放たれるソフトゴスペルか、メロウジャズか。適当な言葉を作って／使ってしまったが、おじさま達がセッションするその光景はただただ見とれるだけの手の届かない最高の仕上がり。３曲目のdianneに国内盤のみに追加されている名曲livin'it upをどうぞ。
Bill LaBounty has released his latest album "Back To Your Star", which features some of his favorite Nashville studio players such as Danny Parks & David Hungate, and featuring some of Bill's favorite Los Angeles artists and players - Larry Carlton and Robbie DuPree. The album will be available all over the world. Japanese will have the advanced edition with the acoustic version of himself and Larry Carlton performing "Livin' It Up" only for Japan.
5. Die Geburt Des Dionysos Christos (2008) by Hermann Nitsch
ウィーンのジェダイマスターことHermann Nitschはアクショニズムを掲げ、赤いフォースと共にla monte young率いる暗黒ダダ軍を圧倒し、超現実主義と支持されたOliveros率いる希望のシュール軍をも制圧し、今まさにNitschは体内中の血液を逆噴射させながら、半永久的に鳴り続けると言われる伝説のオルガンドローンを世界に響き渡らせるところ。86年オーストリア、LintzとZayaで行われたオルガン持続音響の模様を収録したカセット作品Orgelkonzertの再発としてVODが３枚組LPにして木箱で包んだ最高にかっこいい作品。お金に余裕があるなら買うべきです。
Excellent minimal and drone recording of Hermann Nitsch performed on the Brucknerorgel linz as well as at the Organ at his private Castle in Prinzendorf at the Zaya, Austria, both in 1986. The original has been released on edition hundertmark in a strictly limition edition (200 copies), absolut famous recording. First 150 copies (plus the 250 member-copies) will also be accompanied with a DVD of the famous concert.
6. Real Thing (2004) by Chris Smith
7. Silence (2009) by Monolake
試聴/Sample
私shotahiramaのJANDEATH名義にて影響を受けた音楽ってのはEGだったりMICLO DIETだったり、このMonolakeだったりするのです。HenkeのAtomインスタレーションから引き継がれる室内音響。ソースはフィールドレコーディングのマテリアルが多く使われているみたいですが。。圧巻はやはり、その組み立て方。狭い部屋から広い部屋へ抜けて移動して行くシンセが、目に見える！鳥肌ものの空間音響。天井の低い部屋と洞窟のような空洞、見上げると吹き抜けで空から降る１億のクリックは高い所から低い所へ、跳ね返り、浮いては沈むリバーブ、それらが映し出すその部屋の立体構造。キックとスネア、ハット、クソかっこいいシンセの断片は、それらすべてをスレイブ化したうえで、henke先生お得意の４次元的リズムコンポジション哲学にてオウテカやSNDさえ突き放す圧倒的なマニピュレーションで魅せる音楽的条件。すべてを最小限に備えた無駄の無い新建築は、何故か何処か東洋的思想を連想させるものだったり。幽玄な、間、味、四季、そんなシャレの効いたおじさんかどうかは分かりませんが、コンセプチュアルに活動する姿勢は正にミニマリズムに忠誠を誓ったMonolakeだからな訳で、結果クソかっこいいテクノミュージックになってる、なんとも羨ましい惚れ惚れするお手上げの１枚。
Sound sources include field recordings of airport announcements, hammering on metal plates at the former Kabelwerk Oberspree, Berlin, several sounds captured inside the large radio antenna dome at Teufelsberg, Berlin, dripping water at the Botanical Garden Florence, air condition systems and turbines in Las Vegas, Frankfurt and Tokyo, walking on rocks in Joshua Tree National Park, wind from the Grand Canyon, a friends answering machine, a printer, conversations via mobile phones, typing on an old Macintosh keyboard and recordings from tunnel works in Switzerland. Synthetic sounds created with the software instruments Operator, Tension, Analog and the build in effects inside Ableton Live. Additional sound design and sequencing using MAXMSP / MaxForLive. Additional reverb: various impulse repsonses via Altiverb. Composed, edited and mixed in Live with a pair of Genelec 8040s. Mastering by Rashad Becker at Audioanwendungen September 2009. Field recordings captured with a Sony PCM D-50.
8. Música Y Electrónica (2008) by Most Significant Beat
奇才サベリオ・エバンヘリスタがもっとおしゃれにIDM！と叫んだかどうかは分かりませんが、９２年から始動したサイドプロジェクト、Most Significant Beat（最も重要なビート）の９２年から０４年までの作品をコンパイルしたもの。その名の通りリズムコンポジションのみにベクトルを置いた作品、その組み立てにインテリジェンス／ナードなプログラミングセンスを感じる事の出来る所謂クリック作品。恐らくアウトロー・ブリンクマンや芸能人・リッチーホーティン等テクノ’ズセレブも強く影響を受けたであろう１枚。特筆すべきはやはり、その配置の良さ、EBMに近づいていく妖艶なポリリズムはエスカレートするごとにテクノイズの階段のーぼるー。Chris & Cosey/CARTER TUTTIと並べるとおもしろいかも。リズムボックスもシーケンサーもシンセもラジオマニピュレーションもサインウェーブまで取り込んだ姿勢までなんともダサいがこれぞ、９０'sミニマルテクノイズ。この界隈じゃAnt-Zenの連中も喰ってかかる雰囲気だが、９２年デビューの新人とはいえ、中身は悪魔のサベリオ・エバンヘリスタ、Esplendor Geometricoですぜ。
Plot for a soap opera: In 1990, Saverio Evangelista and Maurizio Martinucci created in Rome Most Significant Beat, an electronic cell that fed itself from Clock DVA and Cabaret Voltaire's "breasts". In 1991, Saverio, who has always been a lover of Esplendor Geométrico's corrosion, became as well Arturo Lanz's musical mate (bigamy!) and they both represented their first compositions is an album shared, precisely, with Most Significant Beat (duplex!). Italian duet's next discographic work is another split-album, shared this time with Dosezero (who is just Maurizio's parallel musical affair with Simone Carraresi!). To make things more complicated, Maurizio, very generous to his own time, faces as well groups such as TeZ and Nucleus (polygamy!). All through these ten untiring years, Most Significant Beat's music has evolved from a rhythmical, hard and dislocating Cyberdelia to a suggestive and dance techno that does not turn up its nose to ethnic and ambient sounds.
9. Optofonica (2009) by Various 12K Artists
視聴/Sample DVD
世界各国の映像作家、音響作家、マルチメディアアーティストが総勢４２人、１３カ国から集まってcontemporary sonic cinema artと題して１つのDVD作品になりました。誰にも言えないけど、12K/LINEの映像作品、実はこれまでのもしっかりすべて見ているので（Tina Frank + General Magicが参加した前作、SNDのMark FellによるAttack on Silence、０７年のLINE初となった映像作品Camera Lucida）はっきりと言えますが、今作こそがこのレーベルの本質をついたリリースとなったでしょう、ミックスドメディアこそdeupree/chartierが提示するもの。これぞコンパイルするべき作家達、その質、素晴らしく楽しめる内容、やはりこれが出るまで無駄に映像作品は出さない方が良かったんじゃないか、なんてどうでもいいか。とにかくまずは視聴してみてくださいな。有名どこは、我らがRYOICHI KUROKAWA、伝説のRaster notonアーティストにしてlaptop以降のサウンドアート時代突入の大きなキーポイントだったKIM CASCONE、そしてこちらもRaster脱退後その行方が気になるPointilism提唱者FRANK BRETSCHNEIDER、さらにはオウテカ嬢MIRA CALIX、もちろんRICHARD CHARTIERなど、それらだけでも必見。
The immersive environments presented here by 42 artists from 13 different countries incite a unique multi-sensory awareness of both physical and mental (imagined) space. Some works directly examine the slipping contours of kinetic phenomena, involving magnetism (Kanta Horio), fluid dynamics (Skoltz Kolgen), or acoustic levitation (Domnitch/Gelfand/Chartier). Others have invented an impossible phantom spatiality, stemming, for example, from brain wave interference (Ulf Langheinrich) or stereoscopically rendered interferential video signals (Bas van Koolwijk). All the pieces entail a search for hidden, transitory spaces that crosswire the perceptual spectrum. After being presented worldwide (Sonic Acts, Elektra, Sonar, Nemo...) in the form of Surround Cinema as well as in the Optofonica Capsule (a tactile audio installation), this body of work, spanning 3 years, has been painstakingly archived, preserving as much as possible the intricacies of each composition.
10. TIME EXAMIND (2009) by Mika Vainio
ソロ名義になると突然やる気をなくすこの刺青スキンズ。また悪夢のtouch時代に戻るか、PAN SONIC名義から離れると一気にEG臭さもなくなり突然北欧ミニマルに引きこもるなんともつまらん（ティルマンスの写真集見てあくびするイメージ）これまでのミカヴァイニオ。コンセプチュアリズムに縛られてるノイジシャンなんてダニエルメンチェみたいなので充分。もっとがっつけよ！と喝を入れたのがCarstenだったのかどうかはさておき、今作の完成度はそんなRasterのバックアップもあってか実にエレガントで文句無しのクオリティを魅せてくれる立派なサウンドアート作品に。ここ数年インスタレーション回数を増やしてヨーロッパの至る所で展開、様々のキューレーターと関わって勢力的に仕事をしてるだかなんだかで、コンセプトはより明確に、そこから外へ広がるオシレーターノイズはより的確に完璧な仕上がり。声を大にして言いたい、Mika Vainio名義では１番でしょう！１冊のアートブックとして楽しめるデザインはもちろん重要で、特筆すべきは同じくオシレーターノイズをサウンドアートへと押し広げるCarl Michael von Hausswolffのテキスト！実に豪華。
In the past thirteen years Mika Vainio has exhibited in some of the major art spaces in Europe, and he has collaborated with both a number of important artists and curators. Since his musical work has been in the focus of attention, his installations have never gained the broader recognition they deserve — without good reason. In the present book, an overview will give a clear outline of this segment of his oeuvre. Also his realized soundtracks for other artists, in the genres of video, film and dance are included. Each work is presented with a significant selection of images (installation views, visuals or sketches) and an explanatory text to deliver its basic idea. In the two essays Carl Michael von Hausswolff and Daniela Cascella – longtime companions and collaborators — delicately introduce Vainio’s conceptions to further enlight the reader’s understanding. On the enclosed CDs one can find a selection of tracks created for the respective installations and soundtracks.
ART
1.ED RUSCHA : Black and Pink Ball (1972)
Born in 1937 in Omaha, Nebraska, Edward Ruscha was raised in Oklahoma City, Oklahoma, where his family moved in 1941. In 1956 he moved to Los Angeles to attend the Chouinard Art Institute, and had his first solo exhibition in 1963 at the Ferus Gallery. In 1973, Ruscha began showing his work with Leo Castelli Gallery in New York. He continues to live and work in Los Angeles, and currently shows with Gagosian Gallery.
Ruscha has consistently combined the cityscape of his adopted hometown with vernacular language to communicate a particular urban experience. Encompassing painting, drawing, photography, and artist's books, Ruscha's work holds the mirror up to the banality of urban life and gives order to the barrage of mass media-fed images and information that confronts us daily. Ruscha's early career as a graphic artist continues to strongly influence his aesthetic and thematic approach.
Ruscha has been the subject of numerous museum retrospectives that have traveled internationally, including those organized by the San Francisco Museum of Modern Art in 1982, the Centre Georges Pompidou in 1989, the Hirshhorn Museum and Sculpture Garden in 2000, the Museo Nacional Centro de Arte Reina Sofia in 2002, and the Museum of Contemporary Art in Sydney in 2004. Also in 2004, The Whitney Museum of American Art organized two simultaneous exhibitions: "Cotton Puffs, Q-tips®, Smoke and Mirrors: The Drawings of Ed Ruscha," which traveled to the Museum of Contemporary Art, Los Angeles and the National Gallery of Art, Washington, D.C., and "Ed Ruscha and Photography." In 2005, Ruscha was the United States representative at the 51st Venice Biennale. The traveling exhibition "Ed Ruscha, Photographer" opened at the Jeu de Paume in Paris in 2006.
In 2001, Ruscha was elected to The American Academy of Arts and Letters as a member of the Department of Art. Leave Any Information at the Signal, a volume of his writings and interviews, was published by MIT Press in 2002, and the first comprehensive monograph on the artist, Richard Marshall's Ed Ruscha, was published by Phaidon in 2003.
2.DAMIEN HIRST : Beautiful Bleeding Wound Over the Materialism of Money Painting (2005)
Damien Hirst was born in Bristol, England in 1965. While still a student at Goldsmith's College in 1988, he curated the now renowned student exhibition, Freeze, held in east London. In this exhibition, Hirst brought together a group of young artists who would come to define cutting-edge contemporary art in the 1990s. In 1991, he had his first solo exhibition at the Woodstock Street Gallery, entitled In and Out of Love, in which he filled the gallery with hundreds of live tropical butterflies, some of which were hatched from the monochrome canvases that hung the walls. In 1992, he was part of the ground breaking Young British Artists exhibition at the Saatchi Gallery. In this show, he exhibited his now famous Physical Impossibility of Death in the Mind of Someone Living, a tiger shark in a glass tank of formaldehyde. That same year he was nominated for the prestigious Tate Gallery Turner Prize, and later won that coveted award in 1995.
Hirst's best known works are his paintings, medicine cabinet sculptures, and glass tank installations. For the most part, his paintings have taken on two styles. One is an arrangement of color spots with titles that refer to pharmaceutical chemicals, known as Spot paintings. The second, his Spin paintings, are created by centrifugal force, when Hirst places his canvases on a spinner, and pours the paint as they spin. In the medicine cabinet pieces Hirst redefines sculpture with his arrangements of various drugs, surgical tools, and medical supplies. His tank pieces, which contain dead animals, that are preserved in formaldehyde, are another kind of sculpture and directly address the inevitable mortality of all living beings. All of Hirst's works contain his ironic wit, and question art's role in contemporary culture.
3.Lucien Clergue : Nude #6
Lucien Clergue was born in Arles. From the age of 7, he learned to play the violin. Several years later, his teacher revealed to him that he had nothing more to teach him. From a family of shopkeepers, he could not pursue further studies in a conservatory. In 1949, he learned the rudiments of photography. Four years later, at a corrida in Arles, he showed his photographs to Pablo Picasso who, though subdued, demanded to see others. Within a year and a half, young Clergue worked with the goal of sending photos to Picasso. During this period, he worked on a series of photographs of traveling entertainers, acrobats and harlequins, the « Saltimbanques ». He also worked on a series whose subject was carrion.
4. Gerhard Richter : Ausschnitt (1971)
Gerhard Richter was born in Dresden in 1932 to a middle class family. Like many Germans of his generation, his relatives were involved in the Nazi movement; his mother's brother, Uncle Rudi died a young Nazi officer, while Richter's mentally disabled aunt was imprisoned in a Hitler euthanasia camp. Rigorous ideology and death have haunted Richter since he was just a child, perhaps causing his strong dislike for ideology of any kind and underpinning the attraction that nature, as an indiscriminate force, holds for him.
Support from his mother encouraged him to become an artist during his mid-teens and he embarked on a classical education at the Dresden Art Academy in Communist East Germany. Years later and a few months prior to the erection of the Berlin Wall, he and his wife fled with only a suitcase to Düsseldorf in West Germany. From 1961 to 1964, Richter studied at the Staatliche Kunstakademie Düsseldorf under Karl Otto Gotz.
5.Richard Prince : Nurse Paintings
Richard Prince, (born 1949 in the U.S.-controlled Panama Canal Zone, now part of Republic of Panama) is an American painter and photographer. His works have often been the subject of debates within the art world. Trained as a figure painter, Prince began creating collages containing photographs in 1975. His image, ‘Untitled (Cowboy), a rephotograph constructed from cigarette advertisements, was the first ‘photograph’ to raise more than $1 million at auction when it was sold at Christie's New York in 2005, despite violating numerous copyright laws.
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